The Pieces That Fall To Earth

By Kay Ryan

One could
almost wish
they wouldn't;
they are so
far apart,
so random.
One cannot
wait, cannot
abandon waiting.
The three or
four occasions
of their landing
never fade.
Should there
be more, there
will never be
enough to make
a pattern
that can equal
the commanding
way they matter.

A Poem Without a Single Bird in It

by Jack Spicer

What can I say to you, darling,

When you ask me for help?

I do not even know the future

Or even what poetry

We are going to write.

Commit suicide. Go mad. Better people

Than either of us have tried it.

I loved you once but

I do not know the future.

I only know that I love strength in my friends

And greatness

And hate the way their bodies crack when they die

And are eaten by images.

The fun’s over. The picnic’s over.

Go mad. Commit suicide. There will be nothing left

After you die or go mad,

But the calmness of poetry.

I Would Like to Describe

by Zbigniew Herbert

I would like to describe the simplest emotion

joy or sadness

but not as others do

reaching for shafts of rain or sun

I would like to describe a light

which is being born in me

but I know it does not resemble

any star

for it is not so bright

not so pure

and is uncertain

I would like to describe courage

without dragging behind me a dusty lion

and also anxiety

without shaking a glass full of water

to put it another way

I would give all metaphors

in return for one word

drawn out of my breast like a rib

for one word

contained within the boundaries

of my skin

but apparently this is not possible

and just to say—I love

I run around like mad

picking up handfuls of birds

and my tenderness

which after all is not made of water

asks the water for a face

and anger

different from fire

borrows from it

a loquacious tongue

so is blurred

so is blurred

in me

what white-haired gentlemen

separated once and for all

and said

this is the subject

and this is the object

we fall asleep

with one hand under our head

and with the other in a mound of planets

our feet abandon us

and taste the earth

with their tiny roots

which next morning

we tear out painfully

Translated by Czeslaw Milosz and Peter Dale Scott

More Blues and the Abstract Truth

By C. D. Wright

I back the car over a soft, large object;
hair appears on my chest in dreams.
The paperboy comes to collect
with a pit bull. Call Grandmother
and she says, Well you know
death is death and none other.

In the mornings we’re in the dark;
even at the end of June
the zucchini keep on the sill.
Ring Grandmother for advice
and she says, O you know
I used to grow so many things.

Then there’s the frequent bleeding,
the tender nipples, and the rot
under the floormat. If I’m not seeing
a cold-eyed doctor it is
another gouging mechanic.
Grandmother says, Thanks to the blue rugs
and Eileen Briscoe’s elms
the house keeps cool.

Well. Then. You say Grandmother
let me just ask you this:
How does a body rise up again and rinse
her mouth from the tap. And how
does a body put in a plum tree
or lie again on top of another body
or string a trellis. Or go on drying
the flatware. Fix rainbow trout. Grout the tile.
Buy a bag of onions. Beat an egg stiff. Yes,
how does the cat continue
to lick itself from toenail to tailhole.
And how does a body break
bread with the word when the word
has broken. Again. And. Again.
With the wine. And the loaf.
And the excellent glass
of the body. And she says,
Even. If. The. Sky. Is. Falling.
My. Peace. Rose. Is. In. Bloom.

"I am the last . . ."

by Charles Simic

I am the last Napoleonic soldier. It's almost two hundred years later and I am still retreating from Moscow. The road is lined with white birch trees and the mud comes up to my knees. The one-eyed woman wants to sell me a chicken, and I don't even have any clothes on.
The Germans are going one way; I am going the other. The Russians are going still another way and waving good-by. I have a ceremonial saber. I use it to cut my hair, which is four feet long.

They eat out

by Margaret Atwood

In restaurants we argue
over which of us will pay for your funeral

though the real question is
whether or not I will make you immortal.

At the moment only I
can do it and so

I raise the magic fork
over the plate of beef fried rice

and plunge it into your heart.
There is a faint pop, a sizzle

and through your own split head
you rise up glowing;

the ceiling opens
a voice sings Love Is A Many

Splendoured Thing
you hang suspended above the city

in blue tights and a red cape,
your eyes flashing in unison.

The other diners regard you
some with awe, some only with boredom:

they cannot decide if you are a new weapon
or only a new advertisement.

As for me, I continue eating;
I liked you better they way you were,
but you were always ambitious.

gathered and stacked, out back, behind the house, against that tree
neatly, like cord wood. soon a home for moss and mice.
perhaps a blue tarp covers it all

dusted and peeled, fit, tightly, in a crisp paper box
labeled and filed, stored in the attic among the chairs and sewing machines
neat handwriting on neat labels

tossed and flung, with eyes shut, into the fireplace
lit, turning to ash, smoke and fire, into the earth and into the air
maybe we'll have a bar-b-que and the coals will mix

left and forgotten, casually, lost and unremembered somewhere
unnoticed, the combination to 20 year old lock, neither here nor there
they join the lost socks and things as important as toe nail clippings

we stack our bones, we burn them, we bury them amongst our detritus
cuddle them, make uncomfortable beds from them
sleep on those beds and clutch the discomfort they give us

it is that discomfort, like a scratchy pillow, like a sneaker that fits,
but doesn't
that brings the bones to their place

cast them away with lint
with fliers advertising window tinting
and the bones, though molding, stored, burnt, unremembered

they make and increase our foundation
that supports the ever growing house called our lives